|Alan Lomax (left) recording in the Dominican Republic, 1962|
(source: Cultural Equity Centre)
Alan Lomax (born 100 years ago today) helped revolutionise attitudes to music. He was a pioneer of the 'world music' phenomenon, recording the music of thousands of artists around the world whose work might otherwise have been lost to posterity. He was also a passionate and articulate advocate of what he called "cultural equity" - the right of folk musicians, from Cajun fishermen to Bulgarian shepherdesses, to be accorded the same respect and significance as Mozart or Sinatra. His vision was realised when, in 1977, the Voyager probe was sent into outer space with its "Golden Record" featuring recordings selected to represent the Earth's music that included (thanks to Lomax's personal advocacy) not just Beethoven and Stravinsky but Blind Willie Johnson and Azerbaijani bagpipe music. Legendary producer Brian Eno argues that Lomax "secured for many kinds of music a dignity and status they had not previously been accorded."
A white Southerner, Lomax began frequenting black night clubs during his teenage years in Texas, in a period when music in America was still primarily segregated; recordings by African-American artists were categorised as "race records" and exclusively marketed to African-Americans. Although some of the artists he later discovered (Muddy Waters, Woody Guthrie and Lead Belly) would become big names, Lomax himself was less interested in creating stars than in finding authentic self-expression rooted in local traditions - whether in an Alabaman prison or a Zairean village. He began his career by recording thousands of songs by musicians throughout the American South, preserving musical traditions and individual performances that might otherwise have been lost forever (thousands of his recordings are now available free online at both the American Folklife Centre and Lomax's own Association for Cultural Equity). The influence of this music over the next half century (via artists from Bob Dylan - a protege of Lomax - to the Rolling Stones) was revolutionary. Lomax himself dedicated his memoir, The Land Where Blues Began, to "the black people of the Delta, who created a Mississippi of song that now flows through the music of the whole world".